It is only after leaving home that we gradually understand what homesickness means. In 1996 calligrapher Chu Chen-nan was awarded a government scholarship to study in France. When he first arrived at the Cité Internationale des Arts, he looked around and saw only a camp bed and a simple desk. The rigors of actual life compared to the splendor of the capital of fine arts that Chu had imagined left him feeling somewhat at a loss.